As CHART and Enter Art Fair open across Copenhagen, the strongest reason to visit is the art beyond the headline events: Camille Henrot at Copenhagen Contemporary, Ayako Rokkaku across fair and public space, Emma Kohlmann at V1, Anna Munk at Nicolai Wallner, Janaina Tschäpe at Galleri Bo Bjerggaard and more.

Yayoi Kusama turned repetition, vulnerability and rebellion into one of the most recognisable visual languages of our time. A life shaped by exclusion, activism and radical self-invention became a legacy that transformed both art history and the global market.

A nearly ten-foot John McCracken column in the living room, Scott Burton chairs in the kitchen and Sturtevant beside the bed: Patrick Collins’s homes show what happens when a collector lets difficult art remain difficult.

The Armory Show’s 2026 programme places Caribbean art, museum acquisitions, performance and emerging galleries at the centre of the fair. The result is a revealing attempt to make the art fair function as more than a marketplace.

Christie’s and Sotheby’s are reportedly competing for roughly 300 works left in Herbert Lust’s estate. The $60 million figure is the news hook; the deeper story is a collector who built through friendship, scholarship and decades of changing his mind.

On Shelter Island, John Chamberlain’s actual working studio survives alongside a posthumously converted horse farm that now functions as a private exhibition space. As his 2027 centenary approaches, the Estate is testing how an artist’s environment can remain intact without becoming a conventional museum.