From a £5 million Brueghel and three major Alice Neel sales to George Rickey, global modernism and a £675,000 Triceratops skull, Frieze Masters rewarded collectors who looked beyond categories.

Frieze London closed with sold-out emerging booths, meaningful institutional acquisitions and selective blue-chip buying. The real story was not a boom, but a market rewarding specificity.

Nearly 150 works from RM’s collection meet SFMOMA in a major exhibition of Korean modern and contemporary art. Its real lesson is how a private collection develops a coherent eye.

Thaddaeus Ropac’s representation of Denzil Forrester places one of Britain’s great painters of dub, dancehall and Black social space inside a new international chapter.

At Perrotin London, Iván Argote celebrates fifteen years of Mamarrachos by turning scribbles, gallery rules and institutional authority into an unusually playful form of critique.

Cindy Sherman’s new Fabric Matrons series turns Chanel fabrics, ageing, jewellery and self-invention into an unsettled study of who fashion allows to remain visible.