Amir H. Fallah @ Art Basel Hong Kong March 21 - 25

The Athens Biennale has announced a major restructuring of its governance alongside the appointment of Thiago de Paula Souza as curator of its 8th edition in 2027. The new model introduces a formalised structure of trustees, advisors, and curatorial leadership, consolidating the Biennale within a tightly interlinked network of cultural patrons, collectors, and institutional stakeholders. While presented as an “evolving ecosystem,” the shift reflects a broader transformation in contemporary art governance, where cultural legitimacy is increasingly shaped through structures aligned with private capital and strategic institutional management. Against this backdrop, de Paula Souza’s curatorial practice—rooted in institutional critique and transnational experimentation—introduces a productive tension between radical discourse and formalised cultural power.

Giusy Amoroso, also known as Marigoldff, winner of the fifth Open Call, constructs speculative ecosystems where biology and industry converge. Working across digital and physical realms, her practice examines how organisms adapt within environments shaped by contamination, technological intervention, and ecological instability. Rooted in her upbringing in Southern Italy’s “Land of Fires,” Amoroso’s work moves beyond narratives of destruction to focus on transformation as a condition of survival. Through hybrid anatomies—where metal, synthetic matter, and organic tissue coexist—she proposes new models of life that are both resilient and dependent. This conversation traces the conceptual, technical, and experiential layers that define her evolving practice.

Danish artist Laust Højgaard explores the tension between strength, vulnerability, and identity through paintings and sculptures populated by symbolic characters and surreal situations. Drawing inspiration from classical mythology, architecture, and contemporary pop culture, his work investigates how individuals navigate societal structures while negotiating their own instincts and inner conflicts. Based on the small island of Thurø near Svendborg in southern Denmark, Højgaard works across painting and sculpture, often combining expressive figuration with raw, intuitive processes. His work frequently reflects on humanity’s relationship with nature, control, and the systems that shape modern life.